Adrienne Arsht Center for the Performing Arts of Miami-Dade County and Rennie Harris Puremovement American Street Dance Theater present

NUTTIN' BUT A WORD

 

CHOREOGRAPHER, FOUNDER & ARTISTIC DIRECTOR 

Rennie Harris

 

RENNIE HARRIS PUREMOVEMENT

Marguerite Waller, Rachel Snider, Joshua Archibald, Zakhele Grabowski, Genesis Castaneda, Alexis Curiel, Roukijah Rooks, Joshua Culbreath, Emily Culbreath

 

PRODUCTION SUPERVISOR & LIGHTING DESIGNER

Bob Steineck

 

ABOUT THE PROGRAM

This suite of works challenges the structural integrity of Campbell locking, house, hip-hop and B-boying. Now that we are a global hip-hop nation, we seem to have become hip-hop/street-dance zealots. This purist attitude has stagnated the natural progression of street dance. Simply put, we have become elitist about hip-hop culture. This elitism is due to this generation's obsession with "keeping it real." The truth of the matter is this generation will never relive my generation's era of original dance. My generation defined the three laws of hip-hop culture: innovation, individuality and creativity. At best, they can appreciate it, pay homage to it and acknowledge it as the foundational era of hip-hop/street dance. In doing that, they will tap into their individuality, creativity and innovation, which in turn ensures progress. The work's title, Nuttin' but a Word, was taken from a cultural phrase used among Blacks in the United States. The complete phrase is, "You ain't said nothing but a word." Loosely translated, it means "Your words mean nothing—pay close attention, because what I do next will trump anything you have to say." Hip-hop/street dance is progressive by design. There is nothing about the three laws of hip-hop that suggests stagnation. Nothing about these laws indicates that we as practitioners of hip-hop should only adhere to its foundation. It is quite the opposite. Nuttin' but a Word challenges hip-hop puritans at every turn and reminds us that we will not evolve as a form without individuality, creativity and innovation. 

— Rennie Harris

 

NUTTIN’ BUT A WORD

The Word …    

Choreography: Rennie Harris 
Music: "Trinity Ov Me" by Osunlade

Unlocked    

Choreography: Rennie Harris 
Music: "Ambient" by Raphael Xavier

Bent    

Choreography: Rennie Harris

Music: "Round, Round, Round" by Al Jarreau

A Funny Thing Happened

Choreography: Rennie Harris
Music: "Man With a Movie Camera"by Cinematic Orchestra

A Day in the Life

Choreography: Rennie Harris Restaged & Reimagined 
Music: "Sacré the Wine Ode Suite" by Dhafar Youssef

Doubt & Dolo

Choreography: Rennie Harris 
Written by Smokey Norful 
Music: "I Need You Now"

Breath

Choreography: Rennie Harris

Continuum

Choreography: Rennie Harris 
Music: "Mixed" by DJ Lee Jones

 

WHO’S WHO & WHAT’S WHAT

LORENZO ‘RENNIE’ HARRIS (choreographer, founder, artistic director) has been called "the most respected—and the most brilliant—hip-hop choreographer in America" by The New Yorker. Born and raised in an African American community in North Philadelphia, Harris has taught at universities around the country since 15. Advocating for the significance of "street" origins in any dance style, Harris believes hip-hop expresses universal themes that extend beyond racial, religious and economic boundaries and, because of its pan-racial and global popularity, can help bridge these divisions. Harris performed on the first nationwide rap tour, The Fresh Fest, starring Run-DMC, LL Cool J, Kurtis Blow, the Fat Boys, Salt-N-Pepa and other rap pioneers.

Known for bringing social dances to the concert stage and coining the term “street dance theater,” Harris has broken new ground as one of the first hip-hop choreographers to create works with ballet-based companies, including Ballet Memphis, Colorado Ballet, Pennsylvania Ballet, Philadelphia Dance Company (Philadanco), Giordano Dance Chicago, Lula Washington Dance Theatre, Cleo Parker Robinson, Dallas Black Dance Theater, Dayton Contemporary Dance Company and Alvin Ailey American Dance Theater. Harris was the first street dancer commissioned to create an evening-length work for Alvin Ailey, and he served as a resident artist at the Ailey school for dance. He has received three Bessie Awards, five Black Theater Alvin Ailey Awards and a Herb Alpert Award, and was nominated for a Laurence Olivier Award. He also received a lifetime achievement award in choreography from the McCullum Theater. 

In addition, he’s received a Guggenheim Fellowship, a PEW Fellowship, a USA Artist of the Year Fellowship and a Governors Artist of the Year Award, and is the first street dancer to receive two honorary doctorate degrees from Bates College (Lewiston, Maine) and Columbia College (Chicago). He served as cultural ambassador for Ronald Reagan’s US Embassy Tour in 1986 and was invited to the White House by the Clinton Administration to share in the recognition of African American artists making a difference in the world. He received a medal in choreography from the Kennedy Center.

Rennie Harris Puremovement has performed for such dignitaries as the Queen of England and the Princess of Monaco, and was chosen as one of four US companies to serve as hip-hop cultural ambassadors for President Obama's Dance Motion USA and toured Israel, Jordan, Egypt, Palestine, Japan, China, The Gambia and Kazakhstan. In 2020, Harris received the Doris Duke Artist Award. He was also awarded The Andrew W. Mellon Grant “Building a Legacy of Street Dance” (2022), as well as the Hermitage Greenfield Prize (2023) and the Samuel H. Scripps American Dance Festival Award (2023). 

CAST OF DANCERS

  • Marguerite Waller

    principal dancer, company manager

  • Rachel Snider

    principal dancer, rehearsal director

  • Joshua Archibald

    apprentice dancer

  • Zakhele "Swazi" Grabowski

    apprentice dancer

  • Genesis Castaneda

    apprentice dancer

  • Alexis Roberto Curiel

    apprentice dancer

  • Roukijah "NutellaK" Rooks

    associate dancer

  • Emily Culbreath

    associate dancer, MFA

  • Joshua Culbreath

    associate dancer

BOB STEINECK (lighting designer, production manager) has design credits that include concerts, ballet, modern dance, opera and theater. He is currently the resident lighting designer for ReedDance, Texture Contemporary Ballet, Carnegie Stage and Mercyhurst University Dance Department. Steineck has toured throughout the U.S. and abroad with such companies as Rennie Harris PureMovement; R.H.A.W., Reed Dance, Squonk Opera, the Lyon Opera Ballet, Sankai Juku, PhoenixDance Company, Kirov Ballet Academy and the America Tour for Stars on Ice. His television/video/DVD credits include the DIZZY GILLESPIE Allstar Big Band for A&E Cable, the SPYRO GYRA concert for PBS, Lindy Loon for Maria Del Rey and JOHNNY A TRIO by WarnerBros. Publications. He has designed several corporate events and fundraisers.

Steineck is a lighting designer and clay artist based in Las Vegas. He is the production manager and resident designer for the Koresh Dance Company and The Snowy Range Summer Dance Festival. He also is a resident lighting designer for Nevada Ballet Theatre and Production Manager for Choregus Productions in Tulsa. He holds a master's degree from Temple University and has taught at several colleges and universities. He is the co-owner of Clay Arts Vegas, a clay studio, gallery and supply business. He teaches hand-building and manages the gallery season. He is happy to be working with Rennie Harris Puremovement.

RODNEY HILL (executive director) was born and raised on the tough streets of North Philadelphia, entering the hip-hop scene in 1988. For more than a decade, Hill has blazed stages in venues nationally and abroad. He has been featured in videos for such artists as Boys II Men, Will Smith and Musiq Soulchild. He has performed on TV shows such as R&B Divas: Los Angeles, Late Night With Conan O’Brien, Soul Train, NBC’s NFL Under the Helmet and BET’s Teen Summit. In addition, he has toured and performed with Rennie Harris Puremovement, R&B singer Brave Williams, Julian King, R&B group AAries, Mad Skillz, rapper Eve, R&B legend Teddy Pendergrass, Janet Jackson’s Dj Aktive, R&B singer Shanice Wilson, Mary J. Blige, 50 Cent and Philly’s own The Roots. An accomplished dancer, choreographer and teacher, Hill has performed and taught at universities and dance studios locally, nationally and internationally in London, Santiago (Chile), Toronto, Bermuda, Monaco, Bogotá, Democratic Republic of the Congo, Egypt, England, Israel and Palestine. In 2020, Hill graduated from Wilson College in Chambersburg, Pennsylvania, with an MFA in choreography. Hill's inspiration for dance comes from his community and family. He continues to educate and inspire others through his hard work, dedication and commitment to hip-hop and its culture. In January 2022, Hill was sworn in as councilman for Sharon Hill, Pennsylvania, a suburban community just outside North Philadelphia.

RENNIE HARRIS PUREMOVEMENT STAFF & DIRECTORS

Rennie Harris
Founder/Choreographer
rennieharris@rhpm.org

Rodney Hill
Executive Director
rodneyhill@rhpm.org

Marguerite Waller
Company Manager
rhpm.adm@gmail.com

Rachel Snider
Rehearsal Director
rachelsnider98@gmail.com

Angelina P. Labate
RH Archival Director
angelinaasda@gmail.com

Mika Lemoine 
Rennie Harris University Assistant
rhumanagingdirector2021@gmail.com

Brittany Williams
Rennie Harris University Director 
msbritt305@gmail.com

SPECIAL THANKS

Joan Myers Brown and the Philadelphia Dance Company, The Theater and Dance Department at the University of Colorado at Boulder, Pew Charitable Trust, Dance Advance, Penn Pat, Doris Duke Charitable Foundation, Ford Foundation, Guggenheim, Dance USA, The Alan M. Kriegsman Residency, The Andrew W. Mellon Foundation, National Dance Project, National Performance Network and NEFA for over 30 years of unwavering support. 

CONTACT INFORMATION

Rodney S. Hill, executive director, 267.236.4097 or rodneyhill@RHPM.org

RHPM.org

Facebook.com/RennieHarrisPuremovment 

Adrienne Arsht Center

Inspirational Bon Mot Series Presented by Adrienne Arsht