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South Florida Symphony Orchestra: Porgy and Bess

  • Run Time: 2 hours 38 minutes
  • Intermissions: 1
  • Parental Guide: Ages 8+

The Adrienne Arsht Center provides this information to help you make informed decisions when bringing young people to performances. These are recommendations – you are the expert in deciding what your children should see and know best how to help them enjoy their theatergoing experience. Every guest, regardless of age, must have a ticket; babies-in-arms are not admitted to any performance.

Wednesday, January 16


South Florida Symphony Orchestra
Porgy and Bess: Gershwin's Opera and Theatrical Masterpiece
By George and Ira Gershwin, DuBose and Dorothy Heyward

Richard Jay-Alexander, stage director
Sebrina María Alfonso, music director & conductor
Paul Tate dePoo, set designer
Ronald Hutchins, choreographer

Neil Nelson, Porgy
Brandie Sutton, Bess
Jermaine Smith, Sportin' Life
Gwendolyn Brown, Maria
Michael Redding, Crown
Kyaunnee Richardson, Clara
Eric Shane, Jake
Simone Paulwell, Serena
Edward Graves, Robbins

It is a rare opportunity to be able to see and hear the American masterpiece Porgy and Bess. It is universally recognized as one of the greatest creative works this country has ever produced. But that opportunity is now a reality, due to the commitment of the South Florida Symphony Orchestra, with an exciting cast and a full 70-piece orchestra, in all their glory, under the masterful baton of Maestra Sebrina María Alfonso.

Porgy and Bess was written by American composer George Gershwin, with a libretto by author DuBose Heyward and lyricist Ira Gershwin. It was adapted from Dorothy Heyward and DuBose Heyward's play "Porgy," an adaptation of DuBose Heyward's 1925 novel of the same name.

Porgy and Bess is considered by critics the most important American opera of the 20th century. Gershwin's masterwork has gained popularity over generations, boasting some of the most beautiful songs ever writter, including known classics and standards, such as "Summertime," "I Got Plenty O' Nuttin'," "I Loves You, Porgy," "Bess, You Is My Woman Now" and "It Ain't Necessarily So."

Like many great American cultural works, Porgy and Bess sprang out of the soil that created jazz, with its unique hymns, rhythms, field calls, blues, revival shouts and spiritual soul. Gershwin worked passionately to create a one-of-a-kind classic, which ended up crossing musical lines, creating something that had never been done before. Whether referred to as an opera, a folk opera or a musical, it is surely a theatrical masterpiece and rarely done because it is such an ambitious undertaking. For that very reason, the well established symphony reached out to Broadway veteran, Richard Jay-Alexander, to bring it to the stage in a very special way. The entire orchestra and cast will share the stage in what is sure to be an exciting evening's entertainment, telling an enthralling story, drawing us into the human condition.

The Gershwin-Heyward collaboration originally featured an all-black cast of classically trained singers—revolutionary casting in 1930s America. First performed in 1935, in Boston, at the time it received mixed reviews. Many people couldn't quite come to terms with its Catfish Row subject matter combined with outstanding vocalists and sophisticated music. As everyone wondered what to label such a revolutionary work, with recitatives and arias, it is still argued today, by scholars, yet beloved and admired by all. Just a few seasons ago, a new revival was reinterpreted and staged on Broadway, by director Diane Paulus, starring Norm Lewis and Audra McDonald. It won a Tony Award for Best Revival. It has proven to be an enduring treasure and tour de force for orchestras and casts alike.

Rising above controversy, Porgy and Bess has broken the barriers of time and social limitations, valued today by what it represents in its essence: a real story "spoken" in beautiful music, that everyone can enjoy, relate to and still learn from.

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